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May 22 Laura Marling At Amoeba, Monday May 20th 2013

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May 22 Some Thoughts On The Doors On The Death Of Ray Manzarek

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May 22 Watch Beck Perform New Songs In Santa Cruz California

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May 22 Your Music Stinks

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May 22 Tom Petty Begins His Beacon Residency To Raves

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May 22 Disco Lives, Punk Not So Much

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May 22 Chicago’s Riot Fest; Is This Line Up Legit?

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May 22 Must See: Tony Bennett And Michael Buble (But Not Together)

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May 22 George Strait: 60 #1′s At 61!

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May 22 Hear Ye – What rock nyc Is Listening To 5-22-13

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May 21 Spotify Streams At Four Cents A Dance

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May 21 Not With The Band: When And Why We Love Sad Songs

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May 21 rock nyc Comes Alive Episode Seven: “With Your Ears”

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Previous Articles

Yeah Yeah Yeahs’ Premiered New Songs Off Their Upcoming Album ‘Mosquito’ In California
Yeah Yeah Yeahs’ Premiered New Songs Off Their Upcoming Album ‘Mosquito’ In California

Isn’t this cover really scary, in a good way? This giant pulp-fiction mosquito is truly nightmarish and the baby is literally about to burst the page… it was designed by cartoonist and animator Beomsik Shimbe Shim for the next Yeah Yeah Yeahs’ album, naturally entitled 'Mosquito', that will be released on April 16th via Interscope.

 

Singer frontgirl Karen O talked a little bit about the sound of it in a press release: ‘We took a more playful, LO-FI approach to songwriting. Much of the music was demoed in our little basement studio in Manhattan with drum machines, a shitty sample keyboard and tons of delay — which we called the soup. I think this record has more moodier and tripped-out songs than you've ever heard from us.’

 

Lo-fi may be, but there was nothing modest about the production, as the Yeah Yeah Yeahs hired no less than TV on the Radio’s Dave Sitek and Nick Launay separately, and even James Murphy for just one tune.

 

This past weekend the band had a show at the Glass House in Pomona California, and they debuted two new songs, which were recorded by fans. ‘Earth’ seemed to be an electro-pop with a minimalist instrumentation, but was that a cowbell at the beginning? It sure showcased the unique singing and sighing-roar of Karen O, who seemed to be just ready for a pit worker job. The other song, ‘Mosquito/Suck Young Blood’ is a more aggressive glam-classic rock part, and another excuse for the O-girl to give out all her freaky weirdness,… damn people, couldn’t any of you help her with that zebra cape that strangled her the whole time?

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