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Feb 06 Pissed Jeans At Le Poisson Rouge, Friday, February 4th, 2012, Reviewed

Posted 06 February 2012 by Iman Lababedi  Add comment
Feb 06 Top 10 Musical Inventions

Posted 06 February 2012 by Mary Magpie  Add comment
Feb 06 Madonna’s Half Time Super Bowl Show Reviewed

Posted 06 February 2012 by Iman Lababedi  Add comment
Feb 06 “Here Come’s The Sun”, Beatle Guitar Solo Discovered

Posted 06 February 2012 by Helen Bach  Add comment
Feb 06 The Cult and Flo Rida, Mash Up The Super Bowl

Posted 06 February 2012 by Helen Bach  Add comment
Feb 06 La Dispute on tour for “Wildlife”

Posted 06 February 2012 by Mary Magpie  Add comment
Feb 06 Television Light: February 6-12

Posted 06 February 2012 by Helen Bach  Add comment
Feb 06 Pick Concerts Week Of February 6th, 2012

Posted 06 February 2012 by Iman Lababedi  Add comment
Feb 06 UK Top Ten Albums, February 11th, 2012

Posted 06 February 2012 by Iman Lababedi  Add comment
Feb 06 Lana Del Rey On Letterman

Posted 06 February 2012 by Iman Lababedi  Add comment
Feb 06 UK Top Ten Singles, February 11th, 2012

Posted 06 February 2012 by Iman Lababedi  Add comment
Feb 06 MFT 2-6-12

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Feb 05 Iman and hel do SNL: Bon Iver

Posted 05 February 2012 by Iman and hel  Add comment

Previous Articles

Ace RS Interview with Lemmy
Ace RS Interview with Lemmy

I have said more than enough nasty things about Rolling Stone Magazine in the past year to last a lifetime (except, like U2, you can’t hate em enough) so it is almost scary to report that the Lemmy interview (it’s in the October 29th issue with Madonna on the cover) is really great.

Here is writer Mark Benilli on Moterhead song “Ace Of Spades”: “(“Ace Of Spade”‘s) proto-speed-metal tempo and enough card-table metaphors to make Kenny Rogers second-guess his man-hood. When the music cuts out a minute and 20 seconds into the (two-minute and forty second) song, and Lenny sing-speaks “You know I’m born to lose/and gamblin’s for fools/But that’s the way I like it, baby/I don’t wanna live forever,” it’s the greatest moment in what one could make a strong case for being the greatest metal song of all time”.

Now here’s the moral: MOTORHEAD ARE NOT IN THE ROCK AND ROLL HALL OF FAME


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