making history not money:
iman lababedi
helen bach
mike nessing
mary magpie
todd leibowitz
brett jensen
louba lababedi
robert nevin
bobby sciortino
remy caplan (UK)

Tuesday, February 9, 2010

Broadway Musical "Memphis" reviewed by Bobby Sciortino: Story holds up, music works

This is the fictional story of radio DJ Huey Calhoun (though loosely based on the life of real DJ Dewey Phillips). Huey is a good old boy in the segregated and racially tensioned city of Memphis, Tennessee in the 1950s. Despite being white, he has a penchant for R&B, or as he calls it, "the music of my soul." He visits a black club on Beale Street, where the club owner is quick to point out that it is the music of his soul, not Huey's. However, as Huey means no harm and just enjoys the music, they remain amicable. Huey hears the club owner's sister, Felicia Farrell, sing and decides that it will be his mission to make her heard by as many people as possible, by putting her on the radio. He then proceeds to hound the local radio stations until with some degree of luck he manages to get a temporary gig as a radio DJ which eventually blossoms. He plays "black" music, namely R&B and the type of music from which Rock 'n' Roll was born. He in turn falls for Felicia, and they attempt to maintain a relationship despite all the obstacles and the odds they are up against.

This is a fantastic new original musical. It explodes with non-stop energy. The score is all original, written by Bon Jovi keyboardist David Bryan and Joe DiPietro, but the songs accurately represent the era. The singing and dancing is some of the best on Broadway. Despite dealing with such a heavy subject as race relations in the 1950s, it is fun and not overwhelming. I liked Huey, but his nasally speech and constantly listing around the stage (and constant swigging from a flask) was a bit of annoyance. However, I understand that it was affected and it did enhance his character. Despite the obvious focus on the singing and dancing in this show, the plot was surprisingly substantial and logical. The ending, however, did not give me the sense of closure that I was looking for, so I was a bit dissatisfied. This did not prohibit me from giving the show a standing ovation

Our prodigal Son returns... Bobby Sciortino on Buddy Holly

Buddy Holly. Is it sad to admit that the only context in which I know that name is as the title of a Weezer song? Granted, I am only twenty five years old, so be both lived and died well before my time. However, in light of the 51st anniversary of his death, I have done some research and given his music a listen. I must admit, it is a shame that I didn't know much about him or his music considering the significant impact that he had on early rock and roll, as well as many subsequent rock artists such as The Beatles, The Beach Boys, The Rolling Stones, Don McLean, and Bob Dylan. Having said this, and being new to the music of Buddy Holly, I wish to review one of his classics, "That'll Be The Day" released in 1957 under Buddy Holly's band the Crickets because of a legal issue regarding a previous recording of the song which he recorded as Buddy Holly.

The song starts with a typical blues riff, but jumps right into a more pop, rock like sound. However, it maintains rhythm and blues undertones throughout the song. The lyrics are simple and Buddy Holly croons them all the while bumping along to the rhythm of the song. The sound is very similar to some of Elvis's early work, in the rockabilly style, one of the earliest rock and roll styles. I enjoyed this song immensely, even after more than 15 listens. I can see the appeal and why it was so popular. Buddy Holly was clearly a visionary musician. Had he not tragically died in a plane crash in 1959, he clearly would have made a lot more wonderful music and done wonders for the progression of rock and roll, just consider what he did in a few short years.

Threesomes part, er, Two... Kris Kristofferson, Rosanne Cash, Elvis Costello by Mike Nessing

The term 'super group' is arguably an understatement for this collaboration between country and rock legends. Kris Kristofferson, Rosanne Cash and Elvis Costello are teaming up for new music.

"[The three of us] wrote three songs together and recorded them already," Rosanne tells Spinner. "We performed one of those songs on Elvis' show, 'Spectacle.' We've started this project, and we really like writing together. It was kind of a zone of magic recording these songs. But we all live in three different cities, and to get everyone in the same city, it could take a decade to finish an album!"

In the same Spinner interview, Rosanne also revealed some other potential musical collaborations happening this year with country-rock artists Joe Henry and Billy Bragg. "Joe is a really close friend of mine, and I adore Billy," she says. "So the three of us are saying 2010 is the year we're going to do the Bragg/Cash/Henry project ... whatever that turns out to be."



As for the Cash/Kristofferson/Costello project, this is one of many collaborations between the three friends. Elvis joins Rosanne on 'Heartaches by the Number,' a track from Rosanne's latest album, 'The List.' And just this past December, Kris, Rosanne and Elvis announced they will be featured in an upcoming musical, 'Ghost Brothers of Darkland County,' set to debut later this year.


New brights Eyes Songs!!!!

I could rewrite this and tell you about how I loved the original EP and can't wait for four new Bright Eyes songs and, and, and... but what the fuck... let Pitchfork do the work:

In 2004, Bright Eyes released a six-song collaborative EP with fellow Nebraskans Neva Dinova called One Jug of Wine, Two Vessels (pictured above). On March 23, Saddle Creek will reissue that EP. And Bright Eyes and Neva Dinova recorded four brand new songs last fall to be included on the reissue. (Via TwentyFourBit.)

With Conor Oberst busy with the Mystic Valley Band and Monsters of Folk, this marks the first new Bright Eyes material in quite a long time.
According to Saddle Creek, Oberst and Neva Dinova leader Jake Bellows each sing two of the new tracks. Bright Eyes members Mike Mogis and Nate Walcott, the Faint's Clark Baechle, and Neva Dinova/the Good Life's Roger Lewis all contributed to the fall 2009 sessions, too. Head over to the Saddle Creek store for pre-order info and check out the tracklist below:
One Jug of Wine, Two Vessels reissue:
01 Rollerskating *
02 Happy Accident *
03 Someone's Love *
04 I Know You *
05 Tripped
06 Black Comedy
07 Poison
08 I'll Be Your Friend
09 Get Back
10 Spring Cleaning






* new songs

Best issue Of Rolling Stone In Living Memory

Damn -all i do is insult Wenner and finally he brings out a good issue just to make me look like a dick...

I would love this one if only for the three and a half star (out of three and a half if they had half a brain) review of Titus' "Theme From Cheers" but everything else is excellent.

I hate praising people I loath but what can you do?

Good one RS

Stern on Idol???

Here's the money quote from Stern: "There's not a better job on the planet than judging that fucking karaoke contest," Stern told his Sirius listeners. "It might be possible, we'll see. They'd have to pay me a ton of dough because I already make a ton of dough."

Faith Evans Is Worth The Whike

I saw Faith Evans maybe fifteen years ago (dru hill opened) at the beacon. How good was she. Superb singer so all I have to say abouts Mrs. Biggie starring in her own reality is
1) her son is Biggies kid
and
2) I think it'lle be on E!
and
3) She can really sing but she got snookered by Sean Combs crap opinion last time.

Barbra Streisand Turns Down One Hundred Million Dollars To Perform In las vegas


Twelve years ago? If I was home I could check my ticket stub. my friend Sherry Davis and I stood in line outside Tower Records on 34th street to plonk down a hundred bucks to see Barbra Streisand at MSG in the cheapest of cheap.
Worth it?
Absolutely, a great concert. Meant to be her swan song and yeah she came back a coupla years later but NO OPENING ACT!!!! Just hours of Babs...
And here comes news the great singer turned down a hundred million bucks to do a residence in Las Vegas.
Call it integrity or call it not needing the bucks...
ps: the tower is now a victoria secrets

Bad Bernard

As a follow up to Peter Hook's opening of a new Hacienda, here is Bernard Sumner (the formar bernard brecht -thought we forgot, right) of Joy Division and New Order fame new band Bad Liuetenant.

They are playing Wednesday April 21st, 2010.

May I please go home?

M as in...? by Helen Bach

Well what we’ve known all along is now a glaring fact.. and official

MTV will no longer include the words “Music Television” under its iconic logo. The new logo, will still feature the “M” and its inked in “TV,” but no underlying text.

The M could now stand for anything including Mundane, Mishandled, Mediocre, Moronic or Melancholy.. for when Music Television actually played music.

Some of us will never forget that astronaut slamming down the MTV flag, JJ Jackson and Nina Blackwood playing The Tubes 12 times a day…

The yells of “I want My MTV” have been replaced with what amounts to reality TV for a blank generation.

 

Heligoland... Yes, it's That Good... First take


"At first glance, the lead track off Massive Attack's new album "Heligoland" seems to have done the improbable and sucked the soul out of Tunde Adebimpe. The TV on the Radio vocalist cameos on "Pray for Rain," where a dissonant piano rolls over jazzy drum fills, and Adebimpe gives maybe his most deadpan vocal performance ever. It's a brooding number that threatens to tax one's patience, until the clouds part into a beatific ending of falsetto harmonies, and the payoff is real and earned."

That's what August Brown of the LA Times had to say.

Not bad but not right ---the trick on this album is the chick singer who always sounds good and if this is a little ho hum (I'm translating here) than the only album on earth worth listening to is The Monitor which isn't even out yet

The LA Times ridiculous three star review for a really great dub heavy album beats me but that's why they make money and I don't.

My first take? A masterful piece of elctronica.

Beck And Clap by Mike Nessing


Guitar legend Jeff Beck has announced the second leg of the worldwide tour promoting his first album in seven years, 'Emotion & Commotion'.

The first leg of the U.S. tour will begin on April 16 in San Francisco and head through the world famous New Orleans Jazz Festival on May 1, while the newly-added second U.S. leg starts on June 3 in Boston and hits Atlanta, New Jersey, Detroit, and Indianapolis. Continuing the wave of critical success in the early months of this year, Beck was just awarded a 2010 Grammy (His fifth) for his take on The Beatles "A Day in the Life."

Beck and his band, accompanied by Irish rockabilly sensation Imelda May, performed Les Paul's "How High the Moon" on the show in a stirring and memorable tribute to the late, great, guitar virtuoso.

Shortly after the Grammy performance at the Staples Center in Los Angeles, Beck said, "I've often sung his praises to the press, but to actually get to play in tribute to him... it's such an honor."

Prior to the official kick-off of the Emotion & Commotion tour, Beck will unite with fellow Hall of Fame guitarist, Eric Clapton, in February for a series of exclusive shows in London, New York City, Toronto, and Montreal.

Accompanying Beck at these special engagements, as well as the World Tour, will be a brand new touring band, including the Grammy award winning producer and songwriter Narada Michael Walden on drums, Rhonda Smith on bass, and Jason Rebello on keyboards.

Help Haiti by Helen Bach

My apologies for not advising this sooner- what WAS I thinking?



The “Helping Haiti’ video was released yesterday. At 6 minutes in length, the video features artists such as Robbie Williams, Jon Bon Jovi, Mariah Carey, Rod Stewart, Susan Boyle and James Blunt recording the song interspersed with scenes of the destruction caused by the 7 point earthquake that struck Haiti Jan. 12.

This moving rendition of REM’s ‘Everybody Hurts’ can be viewed on Youtube.

According to Simon Cowel, Britain’s Prime Minster Gordon Brown asked him to produce a charity recording within 10 days. I guess the time pressure forced him to throw the dart to choose that song

A Starr Is Born by Helen Bach

Now you can walk all over Ringo Starr too!

As of yesterday Mr Starr, has a star, on the Hollywood Walk of Fame. John and George had to die to get theres and Paul is still waiting

Last night’s unveiling also marked the 50th anniversary of the Walk of Fame with Starr receiving star No. 2,401.

Do we cut him slack cuz hes a legend or make fun of him for this dumbass statement?

It’s cool to get one at night,” Starr said. “I don't know about you, but where I live, the stars come out at night.”

Money Is An Energy by Mike Nessing

LOS ANGELES — A woman who accused British punk rocker Johnny Rotten of assault has reached a deal with the former Sex Pistols frontman and will withdraw a legal complaint against him, a legal source said Wednesday.

Lawyers for Roxane Davis informed the Los Angeles Superior Court of the deal at the end of January, but details of the agreement have not yet been revealed.

Davis accused the singer, whose real name is John Lydon, of attacked her in January 2007 because he was unsatisfied with the hotel room she had reserved for him.

Davis was working as a production assistant on a reality television show starring the former singer, now 54.

She filed the complaint in June 2008, seeking damages from Rotten and alleged he was both violent and had sexually harassed her.

The Sex Pistols, famed for their 1976 punk anthem "Anarchy in the UK," broke up in 1978 but have gotten back together for occasional concerts since.

White Stripes Have Their Reservations by Helen Bach

The White Stripes are threatening action against the Air Force Reserve.

Seems they feel their song “In Love With A Girl’’ was ripped off re-recorded and used during a Super Bowl ad campaign

Per the White Stripes official statement:

“We believe our song was re-recorded and used without permission of the White Stripes, our publishers, label or management.” The White Stripes take strong insult and objection to the Air Force Reserve presenting this advertisement with the implication that we licensed one of our songs to encourage recruitment during a war that we do not support. The White Stripes support this nation’s military, at home and during times when our country needs and depends on them. We simply don’t want to be a cog in the wheel of the current conflict, and hope for a safe and speedy return home for our troops.” We have not licensed this song to the Air Force Reserve and plan to take strong action to stop the ad containing this music.”

As an avid X- File fan I can say with some confidence that Jack and Meg will be silenced.

Blaqk Is Blaqk by Helen Blach

People always recommend music to me. They've heard the next best thing or they ARE the next best thing or they think Ill like it and to be honest with you I have really narrow appreciation of music

There really isn't a grey area to me there is the awesome pile and the crap pile and sometime a band goes back and forth depending on what I'm feeling that day. Which is why music is so personal

So when The Blaqk Year was suggested to me part of me said YAY something new.. another part said CRAP what if they suck. But just like Mary said were honest and unmerciful right right?

Yeah well what do you do if you love it?

Welcome to February 8, 2010 (though you're reading this on February 9) and today has to be the best music day in a long time. Not only did I discover the joy of A Place to Bury Strangers and the weirdest thing Ive heard in months The Blaqk Years.

The Blaqk Years are bizarre there are sections of music that through headphones almost sounds like someone is emptying the dishwasher. The clanky tiwtters of unknown metals. The hook here is the tempos. There's a whole new genre growing its called "confuse the hell out of me core' what starts as dance hall techno morphs and changes and drum machines itself into a vortex. Arcadia House is just that a fun house of sound. There are moments where it seems fiddle blue grass then rips off in a completely different direction almost as if the tempo changes when you're busting out your best dance move. What the hell is going on.. and its a great confusion

Then it you read that the band members are

16yrs old

and suddenly you realize that this is way more complex than first determined. This adult in its maturity and its tapestry of sound. Arcadia House has that intricacy !6 yr old boys are tools, they have no depth they have no swaggah, they're psychological messes with hero complexes bad grades and damp sheets.....right? No?

No

The Blaqk Years is far more than that and if this is sophomore release my God what is in store for them? "Blinded in Fire" has all the makings of a great pop song.. I hate their myspace as its covered in Spacewhore fans. They deserve FANS not poofed out tarts who I doubt do anything but friend bands unheard. Its almost like spam and they absolutely don't deserve that. But again I'm not sure how much attention they're getting so that's where we come in. A little mature and clothed props for a band that if they're able to put up with the bullshit, get some proper representation, and get the hell out of Australia.

Check um out

Take Five, honey

I would like to explain why I feel like reviewing an ages old Van Morrison classic but the best I can do is this: because I felt like taking five, honey.
I know and you know "Blue Money" is so ridiculous, so weird... so just other. Who writes about a body figure model taking her "blue" money and taking her man out? There is no excuse for anything this excellent.
And on the same album? "Virgo clowns".
What do you do with an album about.... I dunno, laughing?
It frees me from the pain.
Take five, honey.

Rock, Rock, Rock And roll High School by Mike Nessing

The movie “Rock n’ Roll high school” , out of print for the longest time is set to be re-released on DVD By Shout! Factory on May 4th.



Rock ’N’ Roll High School boasts performances by the Ramones and stars P.J. Soles (Halloween) in the lead role of Riff Randell, Vince Van Patten (Hell Night), Clint Howard (Grand Theft Auto), Dey Young (Spaceballs), Mary Woronov (Death Race 2000), Dick Miller (Piranha) and Paul Bartel (Hollywood Boulevard).



ROCK ’N’ ROLL HIGH SCHOOL 30th ANNIVERSARY SPECIAL EDITION

EXTENSIVE SPECIAL FEATURES INCLUDE:



New Anamorphic Widescreen Transfer (1.85:1)

Special Introduction And “Thank You” From Director Allan Arkush

Audio Commentary With Director Allan Arkush, Producer Mike Finnell And

Screenwriter Richard Whitley

Audio Commentary With Roger Corman And Dey Young

New Audio Commentary With Director Allan Arkush, P.J. Soles And Clint

Howard

Back To School: A Retrospective Including All-New Interviews With Allan Arkush, Roger Corman, Joe Dante, Dey Young, Marky Ramone And More . . .

Staying After Class: A Roundtable Interview With P.J. Soles, Vincent Van Patten And Dey Young

Interview With Roger Corman Conducted By Leonard Maltin

New Interview With Director Allan Arkush Including A Look At Rare, Behind-The-Scenes Stills From His Personal Collection

Audio Outtakes From The Roxy – Audio Recording Of The Ramones Shooting

The Final Scene

Original Radio Ads And TV Spots

Original Theatrical Trailer

Original Theatrical Trailer With Commentary By writer/director/actor Eli Roth Courtesy Of Trailers from Hell.

Additional Roger Corman Trailers

And more TBA!

Written and directed by Penelope Spheeris (Wayne’s World), featuring live performances by T.S.O.L., The Vandals and D.I., and starring Bill Coyne, Chris Pederson, Jennifer Clay and Christina Beck, 1984’s Suburbia deftly explores the punk rock generation and follows the unforgettable journey of two teenage boys who escape their unhappy home and join a group of runaways, punks who have banded together to form their own family. Dubbing themselves “The Rejected,” (aka T.R.), the teens have taken squatters’ rights in a filthy, abandoned house, and are bound together by tragedy and punk rock until they’re confronted by the “Citizens Against Crime,” a group of irascible adults from the suburbs who blame the punks for the ruin of their town. During the course of filming, the production used real kids for many parts in addition to professional actors (and includes the acting debut of Red Hot Chili Peppers bassist Flea).

Cash And Carry by Mike Nessing

Help celebrate what would have been Johnny Cash’s 78th birthday on Friday, February 26, the day that his final studio album, American VI: Ain’t No Grave (American Recordings/Lost Highway), is officially released, and Wear Black for Johnny.

Fans from all over the world are being invited to help celebrate Johnny Cash’s life, music, and the enduring voice he gave to the poor and beaten down by posting pictures of themselves wearing black on February 26.

More information as well as links to join the Facebook event (to post photos), follow on Twitter, and to hear the first single, “Ain’t No Grave,” can be accessed here: http://awe.sm/50ha7

Participants will be eligible to win a copy of the new American VI: Ain’t No Grave, plus his amazing 5-CD box set, Unearthed. The lucky winner will be chosen at random on March 12, 2010.

American VI: Ain’t No Grave, is the sixth and final installment of Johnny Cash’s critically-acclaimed American Recordings series, and, as with previous albums in this series, was produced by Rick Rubin.

American VI is deeply elegiac and spiritual, with each song its own piece of the puzzle of life’s mysteries and challenges – the pursuit of salvation, the importance of friendships, the dream of peace, the power of faith and the joys and adversities that entail simple survival. It is an achingly personal and intimate statement, as, from the end of the line, Johnny Cash looks back on a most extraordinary life.

So, help celebrate the Man in Black’s birthday and Wear Black for Johnny on 2/26

But They Were So Much Younger Then by Mike Nessing


When it was announced that Bob Dylan would appear at the White House on February 10, more that one report speculated that Joan Baez would also appear. Well, after a handful of reports that Baez had been added to the line-up, Rolling Stone has confirmed that she will, indeed, appear at In Performance at the White House: A Celebration of Music from the Civil Rights Movement. It is unclear if Baez will appear on stage with Dylan. The event will feature songs and readings from the Civil Rights era. You can watch the live webcast at the link above, at 5:15 p.m. ET, Wednesday. The concert will be shown on PBS, the following evening, at 8 p.m. (check local listings).

Hey, hey We're the Monkeys... Photographer Bob Klein Nails It Again

Rock NYC's fave photographer nails it down again. Bob Klein is the guy who took the pics of Springsteen from last years Superbowl  rehearsal for us.
Here he misses Mike Nesmith.

Action Filled Night At Highline

Knocking back bacardi and coke at eight bucks a pop last night I might be excused for wondrin if im making or losing money getting my name on the guest list for the Take Action concert at Highline last night. Till the lead singer of Mayday Parade ends up besides me, knocks back three absolutes and orange and goes right on stage. If he has to pony up thirty bucks, why shouldn't I.

The Take Action Tour was great -not don giovanni but what is? Call The Cops nearly blew it with a joke about teenage virginity (Helen woulda killed them) but my only real complaint was the set, at twenty minutes, wasn't long enough.Energetic, magnetic, good set.  Next up is For Tomorrow... hang on... im gonna see if i can find a pic...
Found it
Found it. the band are less pussy than they look here. They sound like Daughtry with a hangover. Not bad but not my scene.
here are my notes:
1) should call themselves gay porn stars.
2) a little average
3) i could use a hook here
I knew Call The Cops were good but A Rocket To the Moon took me by surprise.Let me check my notes: if one more chick asks if the sell water... whoops, let me look further... whoops again... deleted em... They were real good and I wish I could say more.... ooooh found a reference, they covered June Carter Cash + Johnny's "Ring Of Fire' -now that is cool.

Mayday Parde were much better live than on record -that acoustic  song? Awesome with the lead singer center stage and all alone and the penultimate number but the last song brings the house down. Everything you want from tweenrock? These guys give you and then some.

Monday, February 8, 2010

Dance Street

You know why I love this city? I love it because when the electronic dance festival Unsound decided to expand from Poland they came here.
But really.... where else is there???
Unfortunately I'm an old man with a full time job so I can't really check this stuff out the way I might want to. If I was twenty-three and not fifty three I would stay up all night to hear this stuff.
Since I'm not here is what Flavorpill had to say:
"The Unsound Festival New York kicked off Thursday and will continue to dominate a variety of venues in Manhattan and Brooklyn through Valentine's Day. This stateside version of the renowned Polish event seeks to move beyond the bounds of techno, drum and bass, and house to expose an electronic music world that's more than computer-generated beats for dark, strobe-lit rooms. The festival has brought together a global community of DJs, producers, promoters, and composers to present an adventurous program of panels, film screenings, multimedia performances, and, of course, plenty of good parties."

Twist And Shout by Mike Nessing

astroPuppees leader Kelley Ryan releases her debut solo album next Tuesday, titled “Twist”. Overall, the effort stands out as a refreshing feminine perspective on matters of the heart. Too many times we get that “You broke my heart, I wanna kill you in your sleep” faux-tough-gal jilted lover crap shoved down out throat. Not so here.

It’s almost unfair to Ryan to refer to her perspective as feminine, although there is certainly no question involving her gender. She writes from the feminine perspective, but I would have no problem if she was speaking for me. On “Bleeding A Girl” she sings about “crumpling up a valentine”. We get the impression that this as violent an act as she is capable of. Not because she is a woman, but because she is a warm, sensitive human.

Much is being written with the press material regarding the collaboration on string arrangement being done by Van Dyke Parks. I felt his work here at it’s best compliments the sound only slightly and at it’s worst, completely unnecessary. When these string treatments are thrust to the forefront, like on the end of “Bridie’s Eyes”, it sounds like somebody is violently scribbling in Kelley’s coloring book.

Not to imply that Ms. Ryan only colors within the lines. A terrific version of Beck’s “Lost Cause” is an unexpected standout, and “Heart And Bone” takes the record into entirely new territory just when you think you’ve got her figured out. The tuba overdub on “That’s All” is a great example of how extra sounds when placed properly add to the listener’s enjoyment.

The standout track is the album’s opener, “About A Girl”. It opens up like a beautiful little music box of sound, very personal and dear to her. Some lyrical insight for us guys about how the female gears turn as “she makes your bed inside your head”, and how “she tastes like summer in the dark”. Groovy mysterious visual vignettes abound on this track and most of the others.

Ryan does display an occasional penchant for warbling when she sings which sometimes works but can also be annoying. She also whispers from time to time which more than makes up for the warbling. “Twist” is like being invited to your girlfriends house for the first time. You can play with the toys but don’t break anything, and for heavens sake be polite and don’t blow it.